U1-35 : THRILLER PROJECT 2007/8

Wednesday 27 February 2008
U1-35 : THRILLER PROJECT 2007/8

Rough Cut

Feedback from Rough Cut

Strengths

'Is good although the classical music needs to continue through Martha's shots'
'Good use of sound'
'Music fits really well'

'Setting is really good and effective'
'Location is good and fits well'

'Lots of different angles'

'Props are good'
'Excellent acting'
'Builds up suspence and the shocking ending is good'
'Lighting very good'

Weaknesses

'Shots of Martha a bit too long'
'Need to continue the classical music through out footage'
'Some shots are too long'

Wednesday 20 February 2008
U1-35 : THRILLER PROJECT 2007/8

shooting

Things we are bring to the set:
Camera... Tripod... Dolly wheel

Props: Knives; ropes; chair; duct tape; Moped headlight

Costumes: Tom, Long Black coat, suit,
Martha, Jeans, Trainers, white top.

shooting

Credits List For Thriller Opening Sequence

A Retribution Productions Presents

A Jake Thornton-Bowen Film

Martha Glass
And Tom Philip

Costume Design Jennifer Dale

Art Direction Alfie Rodden

Prodution Design Ian Difranco

Casting By Steve Thorne

Film Editing Angela Copeland

Cinematography By Annton Freeman

Original Music Morgan King

Produced By Jake Thornton-Bowen
and Tom Philip

Directed By Martha Glass



STATIC

Tuesday 19 February 2008
U1-35 : THRILLER PROJECT 2007/8

Location

Date for filming

We have decided to film on the 25/02/08, we have decided this date because 2 members of the group are busy til this date, we also now have permission from the owner of the location.

Thursday 7 February 2008
U1-35 : THRILLER PROJECT 2007/8

Fonts

Title

We have half-decided on the title of our project, we are now working under the name of "Static"

Creepy, eh?

Shooting

When shooting the sequence we will need to think about the following things:

Different range of shoots. If we are shooting a girl sitting in a chair tied up, use various sides of the room, use different angles of the person. close ups of the hands/feet tied to the chair.

Use slow panning to reflect a calm/creapy atmosphere. For example in the middle of the sequence when the vilan is prepearing the tools, the shots will be slow and pann across the room.

On the day of the shoot we are going to shoot extra footage because we need to make sure we have all the shoots before we leave the area, because it will be hard to go back to the site, as it is in a remote location, and the weather may change.

Wednesday 6 February 2008
U1-35 : THRILLER PROJECT 2007/8

Props